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Double cut peghead
Rosewood board with Reno style inlay |
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Fitted with a new pre-war style mahogany
five string neck to exacting specs
of the
1930's by Eric Sullivan |
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The scale is same as old pre-war Gibson scale
PW scale is about 1/8" of an inch longer
than what Frank Neat uses |
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One piece flange, three ply rim, and alll
original nickel hardware |
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Mahogany resonator has been lightly over
sprayed a long time ago. |
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Bound top and back edges and has the two
standard concentric rings on the back |
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Original Grover Prest tailpeace has been punched for 3rd
string |
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The flathead tonering is from another very
worn 1933 style 3 which was purchased from
Mandolin Brothers
Frank Neat removed the tonering from worn
style 3 and installed it in this TB-3 about
25 years ago |
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It weighs three pounds, three ounce (1.44 kilograms) |
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Original tenor neck
Small length of binding missing and
the Mastertone
block is gone
9903 is written on the heel |
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9903 is written on the heel |
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The fabrication process pictures of TB-3's
new neck made by Frank & Ricky Neat |
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Mahogany
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Double cut peghead
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Straight grain brazilian rosewood fingerboard |
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Reno patern inlay |
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L to R:
Original tenor neck
Repro neck by Frank & Ricky Neat
Repro neck by Eric Sullivan |
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L to R:
Original tenor neck
Repro neck by Frank & Ricky Neat
Repro neck by Eric Sullivan |
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Pre-owner, Mr. Eric Sullivan
His father Bill Sullivan got it and named
it "Myrtle" which is his wife's
name
This flatter and wider neck was changed to
new one which was to original Gibson specification |
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Me and old TB-3 |